Seven Characteristics that Make the Orton Gillingham Approach Work for Your Kid

The Orton Gillingham (OG) approach is considered to be the Gold Standard for teaching students with dyslexia. What is it about the approach that makes it effective and unique? OG principles include being language-based, explicit, systematic, yet flexible, simultaneously multisensory, diagnostic and prescriptive, brain-based, and emotionally sound.

1. Language-Based

Our language and alphabet are phonetically structured by sound/symbol correspondences that must be learned because no one can memorize all the words they will ever encounter. Teaching is based on understanding and exploring how language works and how we learn to communicate.

2. Explicit

Everything we expect a student to know must have been previously taught, or assessed to be known. Even if a student can read and spell a word it is often useful to make sure they know the underlying rules behind what they know so they can then apply it to unknown words. 

We don’t expect kids to know what they don’t know or expect them to have learned somehow by osmosis. We don’t expect kids to read words they don’t know how to read and we discourage guessing at words by looking at a picture or first letter or figuring out what word it might be by context. 

3. Systematic, Yet Flexible

In math, we generally teach addition and subtraction before multiplication and division. In the same way, we should not toss in advanced words like through and balloon to an early reader. We teach line upon line, using our scope and sequence and checklists to make sure students understand all previous concepts. We also systematically review material so that students don’t forget concepts and have continued practice with all learned material.

Skipping around is hard for students who already have a large cognitive load just trying to keep up. It is empowering and encouraging for students to be able to see where they have been and where they are heading to. This record is useful to the tutor as well as parents and future teachers. But it is especially important for the student to see progress and be celebrated for each step forward.

Yet, remaining flexible is also important, if a student is getting so frustrated they can’t effectively learn. When this happens, we can switch gears and play a game, get up and move, or just stop for a chat. Then we can get back to work.

4. Simultaneously Multisensory

This feature is often misunderstood. It doesn’t just mean we have the students do hands-on things like write in sand (By the way, sand is not mandatory to OG. I rarely use it. SO. MUCH. MESS.)

We want students to use as many senses (and thus brain regions associated with those senses) as possible AT THE SAME TIME. Thus the student writes a letter or word (kinesthetic and tactile) while saying the letter and sound and possibly keyword as needed, or spelling or sounding out the word (mouth muscles activated, so kinesthetic) while hearing their own voice, (hearing, obviously) while looking at the letters (visual) while also keeping in mind all the steps (executive functioning/frontal lobe) This is often referred to as VAKT (visual, auditory, kinesthetic, tactile) and the theory behind it is that the more brain regions that are activated at the same time, the more brain connections the student will form and the better the student will remember. 

This is the least studied aspect of OG and there is not a lot of research on the efficacy of this method, but I can tell you from experience that it keeps attention and provides concentration and repetition that works well for most students. Using a variety of surfaces is fun and engaging for students who need a lot of practice. I like to use textured mats, carpet samples, a variety of writing surfaces like a personal whiteboard or chalkboard, and yes, for younger students who really need it, I do pull out the shaving cream and sand.

5. Diagnostic and Prescriptive

An OG practitioner will be constantly jotting notes on observations, errors, and hesitations. The attention to detail is used later to plan the next lesson with the needed review, reteaching, or just practice. This ensures that the student is reviewing what that particular student needs at that particular moment. A practitioner is often thinking about our students and what they need in order to progress throughout the day. I can’t tell you how many times I lie awake at night thinking about what is happening in tutoring sessions and how I can make adjustments to my lesson plans. 

6. Brain-Based 

OG is based on our best and current understanding of how the brain works and learns. Brain Imaging has clarified and strengthened OG teaching. Required, ongoing, continuing education from conferences and publications keeps practitioners up to date on the latest research. 

7. Emotionally Sound

Let’s face it, our students who have dyslexia have beaten themselves up enough. When we teach them, our continued repetition and review ensure that students have a high level of success. We go as fast as we can and as slow as we must. A practitioner who is able to be empathetic, flexible, and encouraging is going to have more success with fragile students who work SO HARD every single day. We work hard in our sessions, but we always keep in mind the student’s emotional well-being is the most important aspect of tutoring.

A tutor who uses these seven characteristics will have greater success with teaching your kid and catching them up to their peers. Be sure to ask your tutor and teachers if they have training in OG. It will make the difference!

The Girl Who Fell Beneath Fairyland and Led the Revels There

The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2)

By Diane Talbot

The Girl Who Fell Beneath Fairyland and Led the Revels There by Catherynne M. Valente

My rating: 5 of 5 stars


I liked this book a lot. I read the first one (The Girl who Circumnavigated Fairyland in a Ship of Her Own Making) last year. I loved it, but by the time I was finished, I was not chomping to move on to the next book in the series, as I often am when I find a series that I like.

Last week I needed a sure-thing, a happy read, and picked up the second book in the series. The whimsy and imaginative use of language and characters did not disappoint. I love the escaped shadows who are enjoying their freedom from their corporeal people and creatures. I loved that September is growing up, learning to stand up for herself and understand the gray scales in life. The text is packed with delightful details. I love how clothing is sentient and adjusts to the wearer’s needs. Every sentence is beautiful and skimming is not an option.

If you love Lewis Carroll, you will love these modern twists on the fantastic fairytale.

That said, I have to admit that the next book will be sitting on my shelf waiting for a while until I need a sure-thing read. These books, for me, need to be savored and I seem to have a limit for how much I can enjoy, kind of like eating a pile of candy. At the moment, I am ready to brush my teeth and dig into something different.

It is good to know there are a few more books on my shelf ready for when I need a deep-dive into imagination.



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Harvest Time

By Diane Talbot

This year, my garden has produced a good number of herbs and vegetables for my family, but even more for the squirrels!  The word Harvest comes from an Old English word, hærvest, meaning “autumn.” The Proto-Indo-European root the word derives from is *kerp– “to gather, to pluck.”

Here is a collection of my fruit and vegetable etymology memes. Enjoy!

Resources Used:

Etymonline.com

Word Origins, by John Ayto

The Diner’s Dictionary, by John Ayto

Magicking Words

By Diane Talbot

My 8th grade student “Luna”* is obsessed with all things fantasy and so when I asked her what words she would like to investigate, the word magic was on the list.

We discussed what magic was and looked it up in the dictionary. We discovered that the word can be used as a noun, a verb, or an adjective. Luna worked to make a sentence of each type.

We brainstormed similar words and decided the base was probably <mage>. We began mapping out our thinking on the table top whiteboard in my office.

We used Word Searcher to find words that contained the same base, and ruled out words that, although seemed possibly promising, turned out to not be etymologically related. These words were image, imagination, and magistrate– along with their derivatives.

As you can see, the final, single, silent, non-syllabic <e> is replaced by a vowel suffix. This is shown with the red slash on the final <e>. In order to keep the /k/ sound when a vowel suffix is added, a <k> is added sometimes. We learned that at one time, long ago, the -<ic> ending was spelled <ick> and sometimes when someone wants the word magic to look more–well, magickal–it might be spelled with the old spelling.

Next we used the Mini-matrix Maker to make a matrix.

We explored the etymology of the word magic.

We also considered the pronunciation of the words and how unexpected changes happen in different related words.

mage /māj/

  • Long <a> because of single, silent, non-syllabic <e>
  • Soft g because it is followed by an <e>

magic /măj’-ĭk/

  • Soft <g> because it is followed by an <e>
  • Hard c because it has no vowel after and <-ic> at the end of a word is poronounced /ĭk/

magician /mə-jĭ’-shən/

  • First and third vowel sounds are schwas and middle syllable has stress.
  • Soft <g> because it is followed by an <e>
  • <c> has /sh/ sound when followed by <ian>

magicians /mə’-jĭ-shənz/

  • First and third vowel sounds are schwas and middle syllable has stress.
  • Soft <g> because it is followed by an <e>
  • <c> has /sh/ sound when followed by <ian>
  • Final <s> represents a /z/ sound.

Luna made the observation that in the Harry Potter universe “nomag” is American slang for non-magical people, the equivalent to “muggle” in the U.K. A fitting observation for this exploration.

Further discussion and investigation into the grammar of the words gave us this information. Luna made sentences to help her remember.

  • mage: noun “someone who performs magic”
  • magic: noun, verb, or adjective
  • magics: plural noun or third person inflectional ending (“She magics the moonbeans.”)
  • magical: adjective
  • magician: “Someone who performs magic”
  • magicked: past tense verb or adjective (“The magicked beans grew a bean-stock.”)
  • magically: adverb
  • magicians: plural of magician
  • magicking: present verb (“He is magicking the stones to turn them into bread.”) or noun (“She is an expert at magicking.”)
  • magic wand: a stick used to perform magic

While looking at the dictionary, we also noticed the link to the thesaurus and explored synonyms and antonyms.

Luna and I both agreed that being bewitching and charming was much more fun than being normal and unremarkable. Next up, Luna wants to investigate sorceress.

*Student names and details have been changed.

Reader, Come Home

Reader, Come Home: The Reading Brain in a Digital World

By Diane Talbot

Reader, Come Home: The Reading Brain in a Digital World by Maryanne Wolf

My rating: 3 of 5 stars


I have been reading other reviews and people seem to either love or hate this book. It isn’t an easy read and it took me over eight months to finish it, which is highly unusual for me and my reading style.

I gave it a mid-range rating. I liked it. I picked it up here and there and read a chapter at a time. I enjoyed Proust and the Squid more and felt this book was overly pedantic and repetitive, but I did appreciate much of what Maryanne said.

I too worry about what the digital world is doing to ours and our kid’s brains with regard to reading and critical thinking. I also agree with her that the digital world is here to stay and our kids need to become bi-literate in a healthier way than they are currently. I do worry about how much of our textbook reading has moved to digital formats–especially for struggling readers. On the other hand, the ability to have audio readily available has been an advantage for many of my students.

I read this book with a real-live paper book, which is my preferred medium for informational books that I am learning from and that I will reference as a literacy specialist. I’ve been known to print out whole e-textbooks. However, in the time since I have read this book, I’ve read 48 other books, both fiction and nonfiction, the majority of which I read either on Kindle or by listening to audiobooks on my commute.

I don’t think there are easy answers to how to take advantage of and lessen the negative impacts of the digital world, but I appreciated Maryanne’s views and ideas on how to best introduce digital media to kids. In the meantime, I’ll continue to enjoy books in many forms and encourage my students to do the same.




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